Mouretsu Pirates: Pirates has the same kind of starting point as Symphogear: eye-wateringly horrible, coming off as Star Trek with schoolgirls. However, contrary to Nymphogear, which plummets into the unwatchable a couple of times each episode, Pirates manages to be perfect.
How does it do that, you might ask? By taking a 180 from what could have risked being a fuck-science-fuck-logic-we're-G-Gundam trainwreck of a plot (like Nymphogear happens to be moving towards) and instead focuses on the storytelling, the characters and the details of the universe, actually showing surprising knowledge of many things, such as zero gravity and practical as well as theoretic ballistics - yes, you can avoid a lot of recoil from a rifle if you fire it from the waist, Bonnie of Bonnie and Clyde fame fired a Browning Automatic from the waist. However, the weapons design is marred by a lens at the muzzle, ruining an otherwise reasonable explanation of the rifles being plasma weapons that generate the blowback by the force of the reaction and not as much the projectile itself... wait, I think I might be rambling. FYI, weapons and psychology are my logical sinkholes - all coherent discussion vanishes at the chance to discuss anti-material rifles or post-Jungian archetypal psychotherapy.
Back on track - Pirates also shows quite a bit of focus in avoiding clichés - no male main character, no missing father (he's already dead, he's already dead), no giant fucking mecha, no
90/100. Go for it, goddammit. Why the Master Sparking fuck would you refuse?
Ingen kommentarer:
Send en kommentar